Jean-François Millet · 1857
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Art Through Time · 1848 to 1900
Realism was the movement that, from about 1848, turned painting toward ordinary life as it really was: peasants, laborers, village funerals and city crowds, painted at full size and without flattery. It began in France with Gustave Courbet, Jean-François Millet and Honoré Daumier, and every country soon had its own realists.
Courbet put it plainly. He would not paint angels, he said, because he had never seen one.
Jean-François Millet · 1857
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Gustave Courbet · Undated (1819–1877)
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Thomas Eakins · 1875
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Ilya Repin · 1870
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Winslow Homer · 1899; reworked by 1906
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Jean-François Millet · 1858
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Gustave Courbet · 1851–52
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Winslow Homer · 1885
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Realism begins around 1848, the year revolutions swept Europe. At the Salon of 1850 to 1851, Courbet showed The Stonebreakers and A Burial at Ornans, a country funeral painted as large as a battle. When the jury of the 1855 World's Fair turned down two of his paintings, he built his own pavilion beside it and called it the Pavilion of Realism.
It lasted until about 1900. In Russia, the Wanderers left the Academy in 1870 to show real life across the empire; in the United States, Winslow Homer and Thomas Eakins painted the sea, rowers and surgeons into the 1890s.
In France, Rosa Bonheur studied horses at the Paris horse market for her The Horse Fair, with police permission to wear trousers while she worked. Millet painted the peasants of Barbizon at prayer in The Angelus.
In Russia, Ilya Repin painted Barge Haulers on the Volga, men harnessed like animals to drag a ship upriver. In the United States, Thomas Eakins painted his friends rowing on the Schuylkill River, as in The Biglin Brothers Turning the Stake, and an operation in progress in The Gross Clinic, so frank that the 1876 Centennial Exhibition hung it in its medical section, not with the art.
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Jean-François Millet · 1858
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Honoré Daumier · 1864
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Rosa Bonheur · 1852–55
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Thomas Eakins · 1873
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Its younger admirers kept the modern subjects and lightened the palette. Painting outdoors in quick strokes, Monet, Renoir and Pissarro made Impressionism; in the Salon, Jules Bastien-Lepage and others carried Realism toward the near-photographic Naturalism of the 1880s.

George Bellows · 1909
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Ivan Kramskoi · 1872
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Ilya Repin · 1888
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Ilya Repin · 1880
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Gustave Courbet · 1855, reworked 1857–59
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Gustave Courbet · 1857
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Thomas Eakins · 1899
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Aleksander Gierymski · c. 1880
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Théodore Rousseau · ca. 1846–67
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Frédéric Bazille · 1866
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Ilya Repin · 1876
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Gustave Courbet · 1854
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Alexei Savrasov · 1871
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Gustave Courbet · c. 1842
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Frédéric Bazille · 1865
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Frédéric Bazille · 1867
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Francisco Pradilla y Ortiz · 1877
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Frédéric Bazille · 1870
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Rosa Bonheur · 1849
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Gustave Courbet · 1853
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Eastman Johnson · 1876
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Isaac Levitan · 1895
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Vasily Vereshchagin · 1871
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Adolph von Menzel · 1852
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