Leonardo da Vinci · c. 1503
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Art Through Time · 1400 to 1600
The Renaissance was the great revival of art and learning that began in Florence around 1400 and spread across Europe until about 1600. Painters studied the art of ancient Greece and Rome, worked out perspective and anatomy, and put the human figure, solid and believable, at the center of the picture.
The word means rebirth: the rebirth, as Italians of the time saw it, of the classical world after a thousand years of the Middle Ages.
Leonardo da Vinci · c. 1503
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Sandro Botticelli · c. 1480
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Leonardo da Vinci · c. 1490
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Raphael · c. 1512
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Botticelli (Alessandro di Mariano Filipepi) · ca. 1490
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Leonardo da Vinci · 1475
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Andrea Mantegna · shortly after 1450
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Raphael · c. 1500
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In painting, the Renaissance runs from about 1400 to 1600, in three parts. The Early Renaissance, about 1400 to 1490, belongs to Florence: Masaccio, Fra Angelico, Filippo Lippi and Botticelli. The High Renaissance, about 1490 to 1527, is the short peak when Leonardo da Vinci, Michelangelo and Raphael were all at work. The Late Renaissance carries on to about 1600, in Titian's Venice and in the restless style called Mannerism.
The High Renaissance is usually said to end in 1527, the year the troops of the Emperor Charles V sacked Rome. North of the Alps, the Northern Renaissance took its own path, from Jan van Eyck in the 1430s to Pieter Bruegel the Elder in the 1560s.
In Florence, a rich republic of bankers and wool merchants, where families such as the Medici paid for churches, chapels and paintings as a mark of piety and of power. Around 1400 its artists began to look hard at the ruins of ancient Rome and at the world in front of them, and Masaccio's Holy Trinity, painted about 1427, showed a chapel so convincing in its perspective that it seems to open the church wall.
From Florence the new style traveled to Rome, where popes hired Michelangelo to paint the Sistine Chapel ceiling, from 1508 to 1512, and Raphael to paint the rooms of the Vatican, among them The School of Athens. In Venice, Giovanni Bellini, Giorgione and Titian built their pictures from color and light rather than line. Giorgione's The Tempest has no clear story at all: a soldier, a mother nursing her child, and a storm coming over the town behind them.

Raphael · 1512
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Giorgione · c. 1506
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Andrea Mantegna · 1483
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Giovanni Bellini · late 1480s
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After Raphael died in 1520, younger painters in Florence and Rome stretched his poise into something stranger: Mannerism, with its long necks, cool colors and crowded spaces. Around 1600, in Rome, Caravaggio and Annibale Carracci turned away from that artifice toward drama and real bodies, and the Baroque began.

Raphael · c. 1505
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Leonardo da Vinci · Undated (1452–1519)
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Sandro Botticelli · 1480
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Giorgione · c. 1500
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Raphael · c. 1500
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Michelangelo · 1487
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Raphael · c. 1500
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Giorgione · c. 1503
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Paolo Uccello · 1456
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Raphael · 1500
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Raphael · c. 1504
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Titian · 1514
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Sandro Botticelli · 1482
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Titian · 1510
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Raphael · c. 1505
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Raphael · 1504
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Titian · 1515
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Raphael · 1507
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Raphael · c. 1505
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Leonardo da Vinci · 1495
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Andrea Mantegna · Undated (1431–1506)
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Giovanni Bellini · 1480
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Michelangelo · 1500
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Raphael · c. 1500
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